Every commercial masala movie before this has somewhere deep down ‘aimed’ to be larger than life, but with his vision, SS Rajamouli has time and again achieved that feat and RRR is no different. This

Prasad ji’s story takes sweet time to construct the past & present of Bheem, Ram but it’s Rajamouli’s screenplay that adds ‘large’ in the film’s ‘larger than life’ treatment.

Prasad Ji has written the most lionized entry sequences for both Jr & Ram and has pushed the bar to a level no one would be able to touch but Rajamouli

Ram Charan nails the mix of style & substance to look believable as a charming Indian in pre-independence British force.

. I would even dare to stretch it to call it even slightly better than Jon Snow’s ‘The Battle Of Bast*rds’ in Game Of Thrones, and you can judge me on this but watch it first.

Jr NTR is the heart of Ram’s brains in the film. He shows how to display brute force in one scene & take a complete u-turn to be equally poignant in another

Jr NTR is the heart of Ram’s brains in the film. He shows how to display brute force in one scene & take a complete u-turn to be equally poignant in another

Alia Bhatt & Ajay Devgn are just about okay in their cameos. It’s like, this could’ve been done even without them but it’s good to have them. Olivia Morris, Alison Doody & Ray Stevenson are

All said and done, RRR is what every ‘grand’ film before this aimed at being but couldn’t be because we’ve just one SS Rajamouli after all.