The way he delivers his self-written dialogues, one can’t help but listen to him (even if that doesn’t interest you).
Srinidhi Shetty gets too little to contribute to the narrative, plus she gets a song (Mehbooba) that clutters the second half without any solid explanation.
Ravi Basrur’s background score serves in a huge spectrum from too loud to too trippy. Just like every other thing, even the BGM of this film is on steroids complimenting a few sequences